King David’s Tower

Edinburgh Castle sits high above the city of Edinburgh upon an extinct volcano from its position on Castle Rock. Archaeologists have established human occupation of the rock since the Iron Age (2nd century) and there has been a royal castle in situ since at least the reign of David I in the 12th century.

The original fortifications and buildings were constructed of timber, with stone structures appearing in the later 12th century.  Of these, St. Margaret’s Chapel remains at the summit. A succession of battles during the late 13th and early 14th century saw the destruction of many of the original castle features and most of the battlements.

With the Treaty of Berwick (c.1357) ending the Scottish Wars of Independence, King David II returned to rule Scotland to reside within his beloved Edinburgh Castle. He was determined to fortify and remodel the structure and make Edinburgh the greatest castle in the land.

220px-David_II_of_Scotland_by_Sylvester_Harding_1797   Braun_&_Hogenberg_'Castrum_Puellarum'_(Edinburgh_Castle)_c.1581

               David II                                                       Edinburgh Castle c.1580

David II began by systematically replacing many of the remaining timber buildings with stone structures; however, his ultimate endeavour was to create a tower so dominating that it would be seen for hundreds of miles.

David's Tower

Plans were well underway by c.1361, with David referencing his ideas and seeking information of the possibility of including a ‘pit for lions’, but construction did not commence until approximately 1366 or 1367. The tower stood on the site of the present Half Moon Battery and was connected by a section of curtain wall to the smaller Constable’s Tower, a round tower built between 1375 and 1379 where the Portcullis Gate now stands. David’s Tower was built on an L-plan – the main block being 16m by 12m, with the adjoining wing measuring 6.4m by 5.5m, pointing to the west. The entrance was via a pointed-arched doorway situated within the inner angle, although in the 16th century this was filled in to make the tower a solid rectangle. The overall height was recorded at a staggering 18m.

http://www.bbc.com/news/uk-scotland-20515432

Sadly, David was not to see his piece de resistance completed, dying in 1371 before the roof had been completed. His successor, Robert II, finished the tower in the late 1370s.

Over the successive centuries, the Scottish Royal family choose to make the Abbey of Holyrood their preferred place of residence with King James IV (r.1488–1513) building Holyrood House for this purpose. Edinburgh Castle’s role as a royal home subsequently declined, as did the buildings.  During the 15th century the castle was increasingly used as an arsenal and armaments factory.

Impression_of_Edinburgh_Castle_before_the_'Lang_Siege'_of_1573  Edinburgh Castle c.1570

In April 1573, a force of around 1,000 English troops, led by Sir William Drury, arrived in Edinburgh. This battle was to be recorded as The Lang Siege.  The English troops built an artillery emplacement on Castle Hill, with several others in outlying areas. On about the 17th of May the bombardment began. Over the next twelve days the gunners dispatched around 3,000 shots at the castle and on the 22nd May, the south wall of David’s Tower collapsed.

114 flat,1000x1000,075,f EdinBurghCastle4-S   

Half Moon Battery with sections of King David’s Tower visible

The Half Moon Battery, erected between 1753 and 1588, was built around and over the ruins of David’s Tower, two storeys of which survive beneath, with windows facing out onto the interior wall of the battery. The remaining portions of David’s Tower stand up to 15m from Castle Rock and can be seen sitting below the Half Moon Battery.

701354579753    16_part_of_st_davids_tower     

          Half Moon Battery at location 16.        Underground doorway located in David’s Tower 

The Tower played a significant part in Scotland’s history. It housed numerous political prisoners, including Alexander Stewart, Duke of Albany, for plotting against his brother, King James III. In 1479, he escaped by getting his guards drunk and lowering himself from a window with the use of a rope. He fled first to France, then England, where he allied himself with King Edward IV. In 1482, Alexander marched into Scotland with Richard, Duke of Gloucester at the head of an English army. James III was captured and shut up in the very same room in which he had incarcerated his brother and there he remained until he negotiated a settlement.

Perhaps the most infamous event (one supposedly used by George R.R. Martin as the basis of his ‘Red Wedding’ scene from A Storm of Swords) took place within the tower and is remembered as the ‘Black Dinner’. In November 1440 the then ten year old King, James III ruled Scotland with the assistance of Sir William Crichton, the Chancellor of Scotland and Keeper of Edinburgh Castle. But Crichton wanted more – he had his sights set on the Regency, but the powerful Douglas clan stood in his way. Encouraging James III to invite his two childhood friends to dinner, the 16 year old William Douglas, 6th Earl Douglas and his younger brother arrived early afternoon and engaged in normal boyhood pursuits prior to the evening banquet. While they ate, a black bull’s head, the symbol of death, was brought in and placed before the Earl. The two brothers were then dragged out to Castle Hill, given a mock trial and beheaded, all the while King James pleading for their release. It is said that the older brother begged the executioner to remove his siblings head first, so as the boy would not witness what was to be his own fate.

George R.R. Martin has often stated that far worse occurred in history then ever takes place within his fantasy novels, and in this instance I would most certainly agree.

David’s Tower is mentioned on several occasions within The Gilded Crown and in particular, one very noteworthy feature –

‘As my honoured guest I have something else I wish to show you.’ David turned towards the base of a short tower and opened the timber door, pulling Catherine along with him. ‘This is to become my masterpiece, my enduring legacy. It will be long remembered for both its height and its strength.’

Removing a lit torch from the wall sconce, David led Catherine down a dark set of narrow stairs that finished directly over a deep shaft, the bottom of which she could not see.

‘My lion pit.’ David smiled. ‘Very similar to those favoured by the Romans.’

Catherine quivered with fear as David edged her closer.

Archaeological work continues within the walls of Edinburgh Castle as there is so much more to learn. Who knows what will be uncovered in the future?

Cathy A

 

Medieval Marginalia – Not just pretty pictures

In dark, cavernous chambers, enclosed by cold stone walls with hundreds of candles flickering, the ‘quilled’ servants of God laboured for hour upon hour to produce wonderfully decorated illuminations. Undertaking page after page of text, they decorated the borders with enormous capital letters and fancy foliage. But what prompted the monks to design the lewd and outrageous pictures hidden within the greenery? In a society that was guided by its Church, was it not strange to find religious men drawing vulgarity?

1

Marginalia could be described as the thirteenth century experimentation with the design of the manuscript page, especially in psalters (a compendium of the 150 biblical psalms), which were being made in large numbers for an increasingly literate population. To the visual schemes already found in earlier scripts, illuminators added a new twist.

2

 At the most significant textual divisions, they began to extend the decoration of the large initial letters into the margins, enveloping them in creeping vines to create elaborate borders. Upon these vines sat various creatures, often mimicking the subject of the text. Perhaps this mimicry became mockery. Perhaps years of ink saturating the monks’ skin had an ill effect!

2B 2A

One particular fascination seemed to be the use a snail.

3 - 1

(From the British Library) – There has been much scholarly debate about the significance of these depictions of snail combat.  As early as 1850, the magnificently-named bibliophile the Comte de Bastard theorised that a particular marginal image of a snail was intended to represent the Resurrection, since he discovered it in two manuscripts close to miniatures of the Raising of Lazarus.

In another survey of the subject, it was proposed that the snail was a symbol of the Lombards, a group vilified in the early Middle Ages for treasonous behaviour, the sin of usury, and ‘non-chivalrous comportment in general.’  This interpretation accounts for why the snail is so frequently seen antagonising a knight in armour, but does not explain why the knight is often depicted on the losing end of this battle, or why this particular image became so popular in the margins of non-historical texts such as Psalters or Books of Hours.

3 - 0

In La Vie du Prince Noir, (The Life of the Black Prince) written in the later 14th century, the author includes snail-imitation among the frivolous forms of entertainment he condemns (Chandos Herald, La Vie du Prince Noir, ed. Diana B. Tyson [Tübingen: Niemeyer, 1975]):

For how much store men set
And how much more heed they take
Of a jangler or a false liar,
Of a jongleur or a jester
Who would willingly make a face
Or imitate a snail,
At which men can laugh,
As they’ll do without delay
Than of someone who knows how to speak well!
(ll. 15-24)

snail 6 snail 5 snail 4

Does this apparently hilarious snail-imitating relate to the combats in the marginalia?

snail 3 snail 2 snail 9

snail 8 snail 7 snail 1

Note – in the above picture, the snail is armed. Quite an achievement when he doesn’t have any!  The next two show the snail does not always win.

Other scholars have variously described the ‘knight v snail’ motif as a representation of the struggles of the poor against an oppressive aristocracy, a straightforward statement of the snail’s troublesome reputation as a garden pest, a commentary on social climbers, or even as a saucy symbol of female sexuality.  Oh dear, then what do the rabbits mean?

rabbits killing knight 194xr10alc41jjpg bunnie revenge rabbit playing pipe organ

In these the rabbit is quite the warrior and seems to take revenge on man. In others he is making music!

dogs vs rabbits rabbit hangs dog rabbit riding snail fox vs monkey 13th c bible

The rabbit is not above warring with the other animals either, even going as far as to hang a hound!

But it wasn’t just rabbits. It was monkeys, dragons, boars, dogs, lions, cats, fish, demons and of course, just as lewd, humans.

knight slayind dragon naughty monkeys dog bishop monkeys1

Slaying of a dragon; Monkeys um … entertaining; and the hound dressed as a bishop preaching to a flock of geese must surely be a slur.

It would seem in this next depiction that the text referred to astrological ideals or events.  Above the marginalia is a picture where the woman is pointing to the celestial skies and below dancing on the foliage, a monkey with a pillar sundial, a fox with the celestial globe, a goat with an astrolabe and a bear and a ram using a sextant – all the tools required for astronomy.

star gazing 1     star gazing 2

Did some texts have some medical portent? Or perhaps the pictures were simple instructions in the margins for those who could not read? Certainly bodily functions played a part.

amputees enhanced-buzz-24301-1348847277-3 tMB7u0Z

It is possible these images could have meant all these things and more at one time or another. I have saved the most bizarre for last. Let’s see what you make of them.

BOTTOMS

  221389b117cd5580143d04710be3ef10 ass playing bagpipe ass trumpet

The middle picture depicts a ‘bottom’ playing a bagpipe and the owner’s neck is stretched! 

 194xacz0ag3hzjpg        194xagbdasviljpg  images(2)

They certainly had a fascination with sticking things into the rear cavity! 

ass trumpet real Monty Python

Monty Python did not have it wrong!

EXCREMENT/BODILY FUNCTION  ALSO FEATURED IN MANY

enhanced-buzz-24349-1348847801-8 enhanced-buzz-4056-1348805818-7 ass blowing 194xkpi1gfa7zjpg

STABBINGS

  stabbing 3 Stabbing 2 Stabbing 1

BENDABLE BODIES, BODY PARTS, HALF-BODIES!

ambidextrous hunting humans half humans

What are they carrying on that stick?

HEADLESS BODIES AND DEVILRY

    headless 1 - headless people headless 2 - knights given a head by ladies devilry devilry 2

And perhaps the most bizarre, especially considering the first picture comes from a poem ‘Romance of the Rose’ mentioned in a previous blog

HARVESTING A PENIS TREE AND A WOMAN ON A FLYING PENIS!

P1 - penis tree from romance of the rose             P2 - women on flying penis

Well, there you have it.  As to the true meaning of pictures penned more than 600 years ago, perhaps we shall never really know for sure but I do know that if today’s clergy were to sit around in dark rooms drawing such pictures, we would not look upon it so lightly!

Cathy T

Medieval Tower Houses

One of my most romantic fantasies about the medieval period is the idea of living in a castle or tower house. Strolling through those ancient buildings fills me with a sense of excitement and I long to draw back the veil of time and explore the world within the thick stone walls. But would it have been anything like what I imagine?

Built from local stone, the tower house primarily occupied a small foot print. It was utilised as a defensive structure or warning tower and provided accommodation for the occupants. A large concentration of tower houses can be found in Scotland where they include peel towers (watch towers) and bastle houses (fortified farm houses). Tower houses generally consist of a vertical ‘single-pile’ building of four or five storeys with the rooms stacked one above the other. In many instances a small loft or garret was included beneath the roof space which was accessed by a wooden ladder. Most tower houses had spiral staircases providing access to the various floors though some had stairs incorporated into the walls. Many of the early tower houses had one or more barrel-vaulted ceilings between the main floors. The roofs generally consisted of large oak beams and rafters covered by thatch or oak shingles and in later periods, slate.

Tower House

Here are just a few of my favourites …

CRAIGMILLAR CASTLE

The lands of Craigmillar were granted to the monks of Dunfermline Abbey by King David I in the 12th century. The Preston family were first granted land in the area by King David II in 1342 and a further grant by King Robert II gave the remaining lands of Craigmillar to Sir Simon de Preston, Sheriff of Midlothian. Work began on the tower house in the late 13th century, which now forms the core of the castle. Craigmillar Tower house features in Book 3, The Gilded Crown.

Craigmillar

craigmillar1

craigmillar-450

From Book 3, The Gilded Crown –

Craigmillar manor house was imposing, sitting atop a low hill overlooking the southern township of Edinburgh. The new wing, well under construction, was placed strategically adjacent the original building which had been a monastic house. Catherine was surprised by the number of men working on the inner ward that would connect the two structures.

    She pointed out the stonemasons to Simon. ‘They look like bees buzzing about their hive.’

    ‘And there is the Queen herself,’ he said, steering his mount into the courtyard.

    Catherine followed, resisting the urge to pull back on the reins, hesitant to end their journey.

 

CASTLE STALKER

Castle Stalker is a four-storey tower house located on the tidal inlet of Loch Laich, near Port Appin in Argyle, Scotland. The original castle was a small fort, built around 1320 by Clan MacDougall who were then the Lords of Lorn but it is Clan Stewart who are recognised for building the castle in its present form around the 1440s. The tower house changed ownership on several occasions before it was abandoned in about 1840. In 1965 Lt. Col. D. R. Stewart Allward acquired the castle and fully restored the building over a 10 year period.

Stalker 1

Stalker 3

Stalker 2

Castle Stalker became a popular tourist attraction after it featured in Monty Python and The Holy Grail.

 

URQUHART CASTLE

The castle, situated on a headland overlooking Loch Ness, was approached from the west and defended by a ditch and drawbridge. The buildings of the castle were laid out around two main enclosures on the shore. The northern enclosure or Nether Bailey includes most of the more intact structures, including the gatehouse, and the five-storey Grant Tower at the north end of the castle. The southern enclosure or Upper Bailey, sited on higher ground, comprises the scant remains of earlier buildings. The Grant Tower is a wonderful example of a ‘tower house’ styled structure built within the walls of an earlier castle.

urquhart_castle_by_evelivesey-d738z78

Ur tower-450

 

HAILES CASTLE

The castle was originally founded as a fortified tower house by Hugo de Gourlay before 130 0, making it one of the oldest constructions of its kind in Scotland. The castle stands on a promontory of the Scottish River Tyne.

Hailes Castle grounds

Hailes_Castle_on_Tynehailes 3

 

The ideals of comfort and safety were no different in the 14th century to what they are today though I need only flick a switch for lighting and heating. And what of the beds? My mattress is ‘posturepedic.’ I am sure I would not receive the same level of support from a straw-filled palliasse! My front gate would never measure up to a portcullis and I have no need for an embrasure – but I can imagine the chill from the frosty air and damp mist, with no glass on any window, only animal skin to protect you from the elements. Yet my fantasy continues, for who wouldn’t want to sweep down the stairs, dressed in a warm kirtle, the sound of your poulaines tapping on the wooden floor as you settle before the open fire to enjoy a spiced goblet of perry.

Cathy A

Fifty Shades of Medieval – More Pain Than Pleasure.

With the entertainment industry buzzing over the release of Fifty Shades of Grey last month (a movie about a relationship which nudges the practice of BDSM – Bondage, Domination, Sado-Masochism), I decided to dedicate this blog to earlier forms and uses of whips and devices – quite possibly the roots of BDSM?

In the words of Chrissy Amphlett from Australia’s 80’s rock group, Divinyls, ‘it’s a fine line between pleasure and pain,’ and whilst Fifty Shades looks at the pleasure, I shall look at the other side – a very real part of life in the Middle Ages – medieval torture.

Read on, if you dare…

(Because of the nature of this post, reader discretion is strongly advised. I do warn you it is not for the faint-hearted.)

Torture in the medieval ages was a brutal reality. The word ‘torture’ comes from the Late Latin tortura, past particle of torquere meaning ‘to twist’ and torture relied upon devices which applied pressure to the body as the Church discouraged the shedding of blood.
It existed either as a punishment for a serious misdemeanour or to extract necessary information from the unfortunate victim and, by exhibiting the most horrendous methods publicly upon the crowds, it was to act as a deterrent to society. It was deemed a legitimate means to extract confessions or to obtain the names of accomplices or other information about a crime. In earlier civilisations, a slave’s testimony was only admissible if it had been gained by torture. What is disturbing was that some creatures actually injected a sense of creativity into the creation of some devices designed to inflict pain. Some of the examples included here were outright death sentences but not without including a great deal of torture first.

When I began to write this, I did expect to separate some of the tortures that had been ‘grouped together’ – after all I wanted to make it divisible in ‘shades.’ But most cases are significantly different to each other, albeit sometimes a collection of these tortures were used together upon a single victim. What I did not expect was to get to the number of fifty! And I did – quite easily.

In fact, in keeping with the title and to stay at fifty, I had to double some up and drop some information off but the discarded ones could probably be better described as outright executions – the exception I made being ‘burned at the stake,’ which involved much torture before death took the victim and it covered the topic of fire, so I have included it.

Out of all the blog posts I have written, this has been the hardest so far and not for the work it entailed but because it’s difficult to read and write of such things and not to feel some compassion for those poor souls, innocent or guilty, who had to endure such horrors and so much pain.

I have tried to put them in some sort of order – possibly ‘least’ to ‘worst’ – with the exception of those grouped together in shades of similarity (eg. water torture) or the body parts used and, in order for the reader not to be overcome by despair, I have inserted some light-hearted sketches in between.

Please note: Where possible, gender-based devices will be noted, and though many tortures were for both sexes, I will simply refer to victims as male.

It is not expected that you will read this entry all in one hit. After all, it’s a pretty grim subject and 50 examples long, but that’s the great thing about blogs. You can revisit in your own time.

You can also be thankful that you do live in ‘this time.’ These tortures were a very real part of life for those who lived in medieval times.

1. Thumbscrew

1 -thumbscrew                    1 -Thumbscrew2               1 - knee splitter

 The thumbscrew or ‘pilliwinks’ were designed to slowly crush the fingers and toes. Larger devices (picture in red) were used to crush knees and elbows. The primary intention was to extract confessions from victims.

2. The Head Crusher

2 head crusher

The head crusher served the same purpose as the thumbscrew. It would slowly and painfully crush the head.

3. The Scold’s Bridle or Brank         (Used in ‘The Order of the Lily’)

3 Scolds bridle 2 3 -Scolds bridle 1

The device was a metal cage which enclosed the head. It included a bridle-bit or a spiked plate, about two inches long, which was projected into the mouth to press down upon the tongue in order to make speaking impossible. It was used to humiliate women, particularly gossipers.

4. The Pillory or Stocks               (Used in ‘The Gilded Crown’)

4 Pillory and stocks 3 4 Pillory and Stocks 2 4 Pillory and stocks 1 Pillory - 16th Century

The pillory was used to restrain a victim for public humiliation, sometimes coupled with flagellation (whipping – see no. 20). Usually placed in a busy marketplace, the crowd could throw harmless objects such as rotten vegetables and animal dung, or if the offense warranted, sharper objects such as stones. The offender was defenseless against other humiliating acts such as the cutting of his hair, marking his body and, for the more zealous, mutilation.

5. The Scavenger’s Daughter

5 Scavanger

The Scavenger’s Daughter worked by compressing the victim’s body. The torturer could tighten or loosen the device, depending upon the severity of the crime. Although not painful-looking, this device was used to publicly humiliate a victim who was at the mercy of the crowd. If the torture was used over a prolonged period, it would lead to madness and starvation.

6. Abacination

6 -abacination

Abacination is a form of of torture in which the victim is blinded by having a red-hot metal plate held before their eyes. A corrosive chemical, typically slaked lime, was contained in a pair of ‘cups’ with decaying bottoms of parchment/leather. The cups were strapped in place over the prisoner’s eyes as he was bound in a chair. The corrosive agent slowly ate through the cups and then the eyeballs. It is a very old form of punishment and was recorded in ancient Persia.

7. Tongue Tearer

7 -Tongue Tearer

Looking like an oversized pair of scissors, the ‘tearer’ could effortlessly cut the victim’s tongue. Their mouth would be forced opened with a device called a mouth-opener (ingenious name) and then the iron tongue tearer would uncomfortably twitch the tongue with its rough grippers. Once a firm hold was maintained, the screw would be firmly tightened and the victim’s tongue would roughly be torn out.

8. Neck Spike

8 - Neck spike

This punishment was a test of endurance where the victim would be fitted into a neck device, either made of metal or wood, which prevented the victim from adjusting into a comfortable position. They were unable to lie down, eat, or lower their head for days.

9. Heretic Fork

9 -Heretics fork 9 - heretics fork 2

This torture device consisted of a metal piece with two opposed bi-pronged forks attached to a belt or strap. One end of the device was pushed under the chin, the other to the sternum, and the strap was used to secure the victim’s neck to the tool while the victim hung from the ceiling or was somehow suspended so that they could not sleep. If their heads dropped, the prongs would pierce their throat and chest.

10. The Garotte

10 -Garotte          10 - Garotte - simple

The Garrotte received its Spanish name due to its popularity in the area (widely used during the Spanish Inquisition). The Spanish also perfected this instrument so it would cause a painful and decisive death.

The victim was tied to the instrument and his neck forced inside the iron collar. With the handle that can be seen in the picture, the executioner slowly crushed the victim’s neck causing death from asphyxia. A simple version of garotte could be used by anyone to outright strangle a person.
11. The Spanish Spider or The Breast Ripper

11 -Breast ripper 1 - the spanish spider                    11 -Breast Ripper

This device was designed especially for women. Used to cause major blood loss, the claws, which were often red hot, would be placed on the exposed breasts as the spikes penetrated beneath the skin. It would then be pulled or jerked causing large chunks of flesh to come off with it. Another version, ‘The Spanish Spider,’ was used during the Spanish Inquisition. The spider was usually chained to the wall – the claws were heated before being fixed to the woman’s breasts. The torturer would pull the woman away from the wall to remove her breasts. This was a brutal punishment that often resulted in the victim’s demise.

12. Denailing

12 - Denailing 3     12 - Pliers for denailing    12 -Denailing

A common method of torture to extract information from the victim. He would be restrained in a position that allowed the torturer full access to the victim’s toes. Depending on the importance of a confession, the torturer could choose to extract each nail rapidly or to extract it as slowly and painfully as possible.
The instruments required for this torture method could be found anywhere, which made it incredibly popular. Additionally, if required and applied correctly, this method could be extraordinarily painful but leave no permanent damage.
Denailing was widely used during the Spanish Inquisition to extract confessions from heretics. This torture method is still being used today in certain countries.

13. Finger and Toe Wedging

13 - Nail wedging 2           13 - nail wedging

Wedging became popular hundreds of years before the Middle Ages; its origins probably date to Ancient Egypt. It was used almost exclusively for confessionary purposes.

The victim’s feet or hands were secured on a small platform. Using wooden or metallic wedges, the torturer slowly fixed the wedges underneath the victim’s nails. What followed next was agonizing pain for the victim. Failure to confess would mean wedging the next nail, and the next.

Toe/finger wedging was considered the prelude to more painful and humiliating torture methods that would ensue if the victim still failed to confess. Since the same wedges were used on several victims, it was common for infections to result, leading to amputations and even death.
14. The Copper Boot

14 - Copper boot 14 - the copper boot 1

The copper boot could be used in a few different ways. First, the torturer placed the victim’s feet inside the boot and secured them with chains. Torturers could then fill the boot with water and place a fire beneath the feet. Another way was to repeatedly beat the boot with a hammer. Although the legs would not suffer lethal damage, the pain this incurred often made the victim pass out. Also they could fill the boot with molten metals. This would result in third degree burns and intoxication, but it also rendered the boots useless for another victim.

15. Mutilation and Castration

15 - Mutilation and castration 2 15 -Castration 1 15 - Castration 2

Castration is where the male loses the use of his testicles which causes sterilisation – the inability to reproduce. It also reduces the production of the male hormone, testosterone. In a male-dominated society, where reproducing an heir was a major factor to ‘normal’ lifestyle, the psychological effect would be profound.
One famous victim of castration was the medieval French philosopher, scholar, teacher, and (later) monk, Pierre Abélard. He was castrated by relatives of his lover, Héloïse.
Bishop Wimund, a 12th-century English adventurer and invader of the Scottish coast, was another victim of castration.
In the Byzantine Empire eunuchs were castrated so they would become a devoted personal servant, having neither family nor heirs to which to adhere. It also made them perfect to protect their lord’s harem for eunuchs were prevented by castration from feeling normal tendencies towards the women.

‘Guards! The upside-down prisoner has to pee!’

16. Strappado (Rope)

16 - Rope torture 16 - Rope 16 -Strappado 1

Strappado (aka ‘reverse hanging’) is where the victim’s hands are first tied behind his back, and then he is suspended in the air by means of a rope attached to wrists, which dislocates both arms. Weights may be added to the body to intensify the effect and increase the pain. While the technique shows no external injuries, it can cause long-term nerve, ligament, or tendon damage.
Another variant is the victim is dropped at intervals and then checked by the rope. The painful jerk would cause major stress to the extended and vulnerable arms, leading to broken shoulders. And a third deviation was to add heavy weights to the ankles. This will not only cause damage to the arms but also the legs and hips. This variant is known as ‘squassation.’

17. Crocodile Shears

17 - Crocadile Shears

The interior design closely resembles a tube containing numerous spikes on both ends. It was used to mutilate. The iron pincer was heated to red-hot before being clamped down onto the victim’s appendages, then tearing them from their bodies. Sometimes used on the fingers, its most common use was to mutilate a man’s penis, the arterial damage provoking death. It was said to be used on those who attempted to assassinate the king.
18. Pear of Anguish or Choke Pear       (mentioned in ‘The Order of the Lily’)

18 - pear of anguish2 18 - pear of anguish3 18 - pear-of-anguish

This was used to punish liars, blasphemers, and homosexuals. The device was inserted into one of the prisoner’s orifices – the mouth for liars and blasphemers (which is why it’s also known as the Choke Pear); the vagina for women, and the anus for homosexuals. Some versions even had blades attached so when the pear was inserted, the blades could be rotated to cause internal bleeding. It was also used to torture women who were accused of facilitating a miscarriage.

19. Lead Sprinkler

19 - Lead Sprinkler

The torturer poured molten metals in one end and its contents slowly rushed to the other side where they fell through the holes on any part of the victim’s body, even the eyes which resulted in agonising pain and eventually death.
20. Flagellation (Whipping)

20 - Flagellation 2    20 - Flagellation

Flagellation, or whipping, is probably the most common of punishments and many towns had a post in the main market area for the sole objective of displaying public whippings. In the Late Middle Ages, flagellation became less common due to newer torture methods.

The whipping generally occurred against the victim’s back, but when a more severe crime was committed his chest could be whipped, which was especially dangerous and painful. Plus there were different types of whips. Some had small metal spikes at the end to rip the skin faster and deeper, thus inflict more pain.
21. The Pendulum

21 - pendulum

The pendulum was a way of extracting confessions. With the same procedure as ‘Stappado,’ (the difference being there is a machine to do the work for you), the victim’s wrists were tied behind his back. As the torturer turned the handle, the rope slowly elevated the victim eventually dislocating his shoulders. This was seldom a lethal torture and many confessed merely at the sight of this device.

22. The Rack

22 - Rack 1 22 - Rack 2 22 - Rack 3

Another common favourite during medieval times, the rack was designed to dislocate every joint of the victim’s body. It was made out of a wooden frame with two ropes fixed to the bottom and the other two tied into the handle on top. Once the victim was bound and placed on top of the rack, the torturer would turn the winch. The victim would be stretched until his limbs where dislocated. It was possible to keep turning the wheel until the limbs where completely torn off the victim’s body.

Sometime this method was limited to dislocating a few bones, but if the torturer went too far, it would render the legs or arms (sometimes both) useless. In the Late Middle Ages, some new variants of this instrument appeared. They often had spikes that penetrated the victim’s back. As the limbs were pulled apart, so was his spinal cord increasing not only the physical pain, but the psychological one of being permanently handicapped.

Many knights from the Knights Templar were tortured on the rack. It was reported ‘the limbs collected were emptied by the hundreds.’

‘You lucky, lucky bastard!’

23. The Picquet

23 - The Picquet 1    23 - The Picquet 2

The picquet was mostly used in the military as a way to maintain discipline throughout the army. The picquet didn’t require any sophisticated tools as all that was needed was placing a stake in the ground and tying the victim’s thumb far above his head. The stake was never sharp enough to draw blood, but it was meant to be very painful. Sometimes, the victim’s whole hand was tied instead of just his thumb to prevent major injuries.

When the victim felt that his thumb was about to dislocate, he would put his weight on the stake. On the other hand, placing too much weight on the stake would lead to much pain. Although this torture method was never meant to end in death, some draconian commanders ordered their victims to be subject to this torture for up to two days – sometimes incurring death.

This method became less popular with the introduction of other more visually-striking torture methods during the Late Middle Ages.

24. Exposure

24 - exposure 1 24 - Exposure

As its name implies, this method consists of exposing a victim to the elements. The victim could be buried up to his neck or tied to a post, letting any animals, insects or other people kill him slowly. In some towns there were permanent chains, stocks or ropes that were used to restrain someone. In many cases, the victim was simply left to die of hunger and thirst.

Due to its cost efficiency and cruelty, the exposure torture was very widespread in medieval Europe. The victim’s remains often served as a warning to the people.

25. Water torture

25 - water torture - drops of water 2   25 - water torture - drops of water

A very painful method of torture consisted of fixing a victim’s head under a small tube that constantly filtered drops of water. These fell on the same spot of the victim’s head leading to, in prolonged periods of time, perforation and eventually death.

26. Freezing with water    (No Picture)

In the winter, the naked victim was forced to stand outside in full view of everyone. The torturer poured water on his head which eventually became frozen, making the victim die slowly and painfully. Sometimes the body was left for the whole winter to terrify the population and dissuade any further crimes, as punishment was imminent.

A variant was to douse the victim’s limbs with cold water, to speed up the onset of frostbite. This was done until the limbs were hard enough to elicit a ringing sound when they were hit with sticks. Afterwards, they could either have their limbs and fingers smashed off or immediately defrosted by hot water which caused all the flesh on the limbs to just slide off.
27. Forced Drinking

27 - Forced Drinking 1 27 - Forced drinking 2

This torture was simple and effective. A tube is forced over the victim’s mouth and he is forced to drink huge amounts of water until he either confessed or drowned.

28. Keelhauling

28 - keelhauling 2 28 - keelhauling

The earliest official mention of keelhauling is from the Greeks in the Rhodian Maritime Code (Lex Rhodia), of circa 800 BC, which outlines punishment for piracy. It is also pictured on a Greek vase from the same era.
The sailor was tied to a line that looped beneath the vessel, thrown overboard on one side of the ship, and dragged under the ship’s keel, either from one side of the ship to the other, or the length of the ship (from bow to stern). As the hull was usually covered in barnacles and other marine growth, if the offender was pulled quickly, keelhauling would typically result in serious cuts, loss of limbs and even decapitation. If the victim was dragged slowly, his weight might lower him sufficiently to miss the barnacles, but this method would frequently result in his drowning.

*29. Cucking Chair /stool (Ducking)     (Used in ‘The Order of the Lily’)

29 - Cucking Chair 2    29 - Cucking Chair

This was a favoured torture to use on women. The victim was tied to a chair and elevated by ropes above a pond or river. She was lowered into the water until completely submerged. The chair could be raised if the victim was about to pass out, or to give the victim a chance to confess.

This method was widely used during the Spanish Inquisition and in England and France.

30. Boiling

30 - Boiling 2 30 - Boiling 30 Boiling 3

The unlucky victim was placed inside an empty cauldron. The cauldron was filled with cold water and beneath it, a fire was set. Eventually the water began to boil, cooking the live victim. This was usually a death sentence but not without a lot of torture first.

31. Tar/Pitch and Feathering

31 - tar and feathering 2    31 - tar and feathering

The earliest mention of the punishment appears in orders that King Richard I issued to his navy on starting for the Holy Land in 1189. The order indicated that any thief or felon, being lawfully convicted, shall have his head shorn, boiling pitch poured upon his head and topped with feathers or straw so that he will be known for his misdemeanour. Upon landing, the victim would be ‘cast up.’

32. Branding

32 - Branding

There were various methods with branding. A red-hot brazier could be passed backwards and forwards before the eyes until they were destroyed by the scorching heat. Red hot pokers were applied to various parts of the body or various marks branded into the flesh using irons.

A branding iron had a long bolt with a wooden handle at one end and a brand at the other. Two iron loops were used for firmly securing the hands during the excruciating process of branding, the victim often falling unconscious at the horrendous odour of burning flesh.
33. The Brazen Bull/ The Crocodile Tube

33 - Brazen bull 1     33 - Brazen Bull 2

Also known as the Sicilian Bull, it was designed in ancient Greece. A solid piece of brass was cast with a door on the side that could be opened and latched. The victim would be placed inside the bull and a fire set underneath it until the metal became literally yellow as it was heated. The victim would then be slowly roasted to death all while screaming in agonizing pain. The bull was purposely designed to amplify these screams and make them sound like the bellowing of a bull.
*May be seen in the movie Red Riding Hood.
The crocodile tube followed the same principal except the victim’s head and feet were left exposed so torture to these parts could be applied before the fire was lit. Facial mutilation and toe ripping were preferred choices.

34. Scaphism – (The Tub or the Boat)

34 - the boat 34 - The Tub

Scaphism, also known as the boat, was an ancient Persian torture/death; the word meaning ‘scooped or hollowed out.’ The victim was placed, naked, within the interior of two boats or hollowed out tree trunks (later a tub), with only head, hands and feet protruding. They would be forced to ingest milk and honey to the point of developing a severe diarrhoea. More honey was poured on them to attract insects. They would lie in their own waste with insects feeding and burrowing into their flesh, eventually dying of dehydration, starvation, and septic shock. Delirium would typically set in after a few days.

35. The Coffin or Crow’s cage

35 - coffin 2 35 - Coffin or Crows cage 35 - Coffin or Crows cage 35 - coffin

The Coffin torture was feared throughout the Middle Ages and when you see one, you realise why.

It involved placing a victim inside a metal cage roughly the size of the human body. Torturers also forced overweight victims into smaller cages to heighten their discomfort as they hung from a tree or gallows. The period of time a victim was kept inside the coffin was determined by his crime. Very serious crimes were punished by death. The victim would be kept outside, under the sun, with animals able to eat their flesh, usually crows, hence the device’s other name of a ‘crow’s cage.’
36. The Iron Maiden

36 - Iron Maiden 36 - Iron Maiden 36 - iron-maiden

This torture device consisted of an iron cabinet with a hinged front and spike-covered interior, sufficient enough to enclose a human being. Once inside its conical frame, the victim would be unable to move due to the great number of steel spikes penetrating the victim’s flesh (but missing vital organs) with the strategically-placed spikes. When completely closed, the screams from the victim could not be heard outside, nor could the victim see any light or hear anything from within. This increased the psychological pain. Additionally, the spikes blocked the wounds so it took many hours – or even days – for death to occur.

If the door was opened, the victim would stand in the same position so if the torturer chose to close the door again, the spikes would penetrate the exact same wounds.
Sometimes the door was intermittently opened and closed to maximise the victim’s pain without delivering death.

Although the ‘Iron Maiden’ is often associated with the Middle Ages no actual account prior to 1793 has yet been found.

37. Sleep Deprivation/Psychological

37 - sleep_deprivation

Psychological torture has its place among the list and no worse can be found than simple sleep deprivation. It has been said that a human can live longer without food or water than they can without sleep.
In stark contrast to torture that inflicts physical pain, psychological torture is directed at the psyche with calculated violations of psychological needs, along with deep damage to psychological structures and the breakage of beliefs, underpinning normal sanity.
Psychological torture includes deliberate use of extreme stress and situations such as mock execution, shunning, violation of deep-seated social or sexual norms and taboos, or extended solitary confinement as well as the lack of sleep. Such deprivation would cause cognitive inability, memory lapses or loss, tremors, aches, severe yawning, hallucinations and increased heart rate until eventually the body shuts down.

38. Starving and Immurement (Walled in)

38 - Immurement 2    38 - Immurement

Historically, starvation has been used as a death sentence. From the beginning of civilization to the Middle Ages, people were immured, or walled in, and would die for want of food. The process was simple. Put them in a niche or chamber and brick them in.
In Sweden in 1317, King Birger of Sweden imprisoned his two brothers for a coup they had staged against him. Supposedly, the king threw the key into the castle moat and the brothers died of starvation a few weeks later.
Another famous unsolved ‘starvation’ in the 14th C is that of King Richard II. Imprisoned by his cousin, Henry of Bolingbroke, it is unclear to this day if Henry starved Richard or the depressed, deposed king simply refused to eat.

39. Pressing or Pienne forte et dure

39 -  pressing or piene forte 39 - pressing 2

Peine forte et dure, meanng ‘hard and forceful punishment’ was a method of torture formerly used in the common law legal system, in which a defendant who refused to plead and stood mute would be subjected to having heavy stones placed upon their chest until a plea was entered or, if the weight of the stones on the chest became too great for the condemned to breathe, fatal suffocation would occur.
A criminal justice system that punished only those who volunteered for punishment was unworkable so this was used to coerce some response. The victim would lie upon his back with his head covered, his body spread-eagled and held by ropes/chains. Then heavy stone would be piled, one at a time, upon his chest until he could bear no more.
Many defendants charged with capital offences refused to plead, since by refusing they would escape forfeiture of property, and their heirs would still inherit their estate. If the defendant pleaded guilty and was executed, their heirs would inherit nothing, their property escheating to the Crown. That’s why it was vital to the Crown to get a plea.

‘Are there any women here today?’

40. Rat Torture

40 -Rat torture 40 -Rats 1

One of the most sadistic of all torture techniques (and cheapest) involved having a cage with one open side strapped against the victim’s body, usually over the intestines. It would then be filled with large rodents. A heating element was placed on the other side of the cage and the rodents’ natural instinct led them to flee the intense heat. In order to escape they would burrow through the victim’s stomach, find the intestines, and dig their way out of the victim’s body with fatal results. This took a few hours of agonising pain for the victim.

Rat torture as applied in ‘Game of Thrones’

41. Spiked Chair

41 - Spiked chair 2

Also known as the Judas Chair, it was a terrible, intimidating torture device that was added to dungeons in the Middle Ages. Used in Europe until the 1800’s, this chair was layered with 500 to 1,500 spikes on every surface with tight straps to restrain its victim. Made of iron, it could also contain spaces for heating elements beneath the seat. It was often used to scare people into giving confessions as they watched others being tortured on the device.
The time of death greatly varied ranging from a few hours to a day or more. Similar to the Iron Maiden, no spike penetrated any vital organ and the wound was closed by the spike itself which delayed blood loss greatly.

42 The Breaking Wheel (The Catherine Wheel)

42 - Breaking Wheel 1 42 - Breaking Wheel 2 42 - Breaking Wheel 3 SAMSUNG

Also known as the Catherine Wheel, this is a torture device used to slowly kill the victim. First, the victim’s limbs were tied to the spokes of a large wooden wheel which would then be rotated as the torturer simultaneously smashed the victim’s limbs with an iron hammer. As the bones were broken, the victim would be left on the wheel to die or could be placed on top of a tall pole so the birds could feed on their flesh while still alive.

When Catherine of Alexandria refused to give up her Christian belief (c 305) she was scourged and imprisoned. Still refusing, she was tortured to make her yield but the breaking wheel broke at her touch. Ultimately, she was beheaded but the breaking wheel then became known as ‘the Catherine Wheel’ in her honour.

43. Judas Cradle

43 - Judas Cradle 43 - Judas Cradle 43 - Judas cradle4

Closely related to impalement, this gruesome punishment entailed having the victim sit on the pyramid-shaped cradle, after which they would be forced down on it by ropes with the intent of stretching the victim’s anus or vagina over a long period of time, slowly impaling them. Sometimes weights would be added to the victim’s legs or oil added to the device, which would increase the pain considerably. To add to the overall humiliation, the victim was usually naked and the device was rarely washed. So if the torture did not kill you, the infection contracted from it would.

44. Spanish Donkey

44 - Spanish Donkey 44 -Spanish donkey 2

One of the torture devices used during the Spanish Inquisition. The victim is put astride, naked, on a donkey-like apparatus, which is actually a vertical wooden board with a sharp V-wedge on top of it. After that, the torturer would add varying weights to the victim’s feet until finally the wedge sliced through the victim’s body.

45. Impalement

45 - Impalement 1 45 - Impalement

The victim was forced to sit on a sharp and thick pole. When the pole was then raised upright, the victim was left to slide down the pole with their own weight. It could take the victim 3 days to die using this method.

In 1436, Vlad III, ascended the throne of Wallachia in Romania and was later given the title ‘Vlad the Impaler’ for having impaled 20,000 people during his lifetime.
46. Crucifixion

46 - Crucifixion

Principally practiced in antiquity, it is one of the most well-known execution methods due to the crucifixion of Jesus Christ. It is a deliberately slow and painful torture where the condemned person is tied or nailed to a large wooden cross and left to hang until they die, which usually takes days.

‘Next. Crucifixion? Good. Out of the door, line on the left, one cross each.’

47. Flaying and The Spanish Tickler      (mentioned in ‘The Lily and the Lion’)

47 - Flaying 2 47 - spanish tickler 2 47 - Spanish Tickler 3 47 - tickler

The victim was laid upon a table, his arms tied to a pole above his head while his feet were tied below. His body was now completely exposed and the torturer, with the help of a small knife, slowly peeled off the victim’s skin. In most cases, the torturer peeled off the facial skin first, working his way down to the victim’s feet. Most victims died before the torturer even reached their waist.

The Spanish Tickler was an instrument that could ‘rake’ the skin from the body. Due to its shape, neither bone nor muscles were spared. Another device used during the ‘Spanish Inquisition.’

48. Saw Torture

48 - Saw 1 48 - saw 3

In this method, the victim is hung upside down, so that the blood will rush to their heads and keep them conscious during the long torture. The torturer would then saw through the victims’ bodies until they were completely sawed in half. Most were cut up only in their abdomen to prolong their agony.
49. Burning at the Stake       (Used in ‘The Gilded Crown’)

49 - Burning at the stake - Joan of Arc     Illustration of Jacques de Molay burned at the stake in 1314

Burning at the stake was a very common way to execute heretics in the Middle Ages.

If the fire was big enough, death occurred first by asphyxia rather than by the flames. However, this was a known fact and the victims were usually burned in a smaller fire so they would suffer until the end.
When the fire was small, death occurred because of loss of blood or a heatstroke which could take hours. Occasionaly (with a gold coin or two) a gesture of mercy would see the executioner step behind the pole during a smoke cloud and discreetly strangle the victim but only if the flames did not endanger him.
The smell of burned flesh was terrible and lasted for many hours or even days after death. Hundreds were burned at the stake during the Spanish Inquisition.

Joan of Arc and many of the Knights Templar met this fiery end. (Pictured above)

50. Hanged, Drawn and Quartered

50 - and quartered 50 - hanged, drawn and quartered 2 50 -Hanged Drawn and Quartered 3

The penalty for high treason in England was to be hanged, drawn and quartered in public and though it was abolished in 1814, it has been responsible for the death of thousands of people. In this torture technique, the victim is dragged in a wooden frame called a hurdle to the place of execution. They would then be hanged by the neck for a short period of time until they are near-death (hanged) followed by disembowelment and castration where the entrails and genitalia are burned in front of the victim (drawn). The victim would then be divided into four separate parts and beheaded (quartered). Many heads were spiked on the London Bridge.

Some famous victims of this terrible torture were William Wallace and Hugh le Despenser the Younger. (Hugh pictured above on ladder)

On 24 November 1326 Despenser was roped to four horses and dragged through the city to the walls of his own castle, where enormous gallows had been specially constructed. Despenser was raised a full 50 feet and then lowered onto a ladder. A man climbed along side him, sliced off his penis and testicles and flung them into a fire below. He then plunged a knife into Despenser’s abdomen and cut out his entrails and heart. The corpse was lowered to the ground and the head cut off. It was later sent to London, and Despenser’s arms, torso and legs were sent to be displayed above the gates of Newcastle, York, Dover and Bristol.

So, you made it to the end of my version of ‘Fifty Shades’ – Congratulations! In that case, celebrate that in the western world in the 21st century, you do not have to worry about your body being subjected to such tortures.

By Catherine T Wilson.

The Lily and the Lion - thumbnail Order of the Lily cover - thumbnail The Gilded Crown - Thumbnail Medieval Christmas Thumbnail

Gambling and Lady Luck in the Medieval Period

Did you know that Australia holds the unenviable world record for gambling with more than 80% of the adult population partaking in some form or another at least once every 12 months? Who hasn’t heard the adage, ‘Australian’s will bet on anything – even two flies on a wall!’ Fortunes have been won and lost on a hand of cards or the toss of a coin and though the games and rules may have changed over the centuries, ‘Lady Luck’ remains the presiding factor when it comes to winning or losing.

Fortune or Fortuna (equivalent to the Greek goddess Tyche) was the goddess of wealth in ancient Rome and the provider of either good luck or bad. Often depicted as blind or with a veil over her eyes (as in the modern image of Justice) she was seen to represent fate and the capricious nature of men.

fortuna

During the middle medieval period, Fortuna was often associated with a wheel. The Wheel of Fortuna could rotate in either direction, with the random and often ruinous turns both inevitable and providential. The Wheel was depicted in many forms from tiny miniatures in manuscripts to huge stained glass windows in cathedrals, such as at Amiens.

amiens cathedral glass

Dice was the most popular form of gambling during the early and middle medieval period as die were easy to come by or produce, were portable and could be played anywhere at any time. Die did not necessarily appear as equal sided cubes as we see today, nor did the numbering conform to a standard pattern, with the 1 dot (or pip) appearing on the opposite face to the 6 dot, the 5 opposite the 3 and 4 dot face opposite the 2. On a modern die the opposite sides traditionally add up to seven, implying that the 1, 2 and 3 faces share a vertex. If the 1, 2 and 3 faces run counter clockwise, the die is called ‘right-handed’, and if the faces run clockwise, the die is called ‘left-handed’.

dice 1

There were many variations of gambling games involving die, including;

House of Luck

Played with 3 die, wagers are placed on possible rolled combinations. House of Luck is considered to be the medieval equivalent of Chuck-a-Luck or Birdcage, often played in casinos, where the die are contained within a device shaped like an hourglass.

Pig

Numerous variations of Pig have been played for centuries, but the basic concept involves each player repeatedly rolling a dice until either a 1 is rolled or the player decides to ‘hold’ –

  • If the player rolls a 1, they score nothing and it becomes the next player’s turn.
  • If the player rolls any other number, it is added to their turn total and the player’s turn continues.
  • If a player chooses to ‘hold’, their turn total is added to their score, and it becomes the next player’s turn.

The first player to score 100 or more points wins.

Hazard

As the name suggests, this was a game of extreme risk that involved both strategy and luck. With complicated rules and long odds it attracted large groups of players who could all participate at the same time by betting on the outcome. Hazard is believed to be the medieval forefather of ‘craps’ (which has established numbers for winning, losing or gaining a point) whereas in Hazard the player chooses his own winning number (then called the main) which had to be rolled before he throws out (in Craps called ‘sevening out’). Chaucer referred to Hazard in The Canterbury Tales, ‘set upon six and seven’ as putting one’s entire fortune on the outcome of a single roll of the dice.

Gambling 1

Backgammon

Backgammon is believed to have originated at around 3,000 B.C. in Mesopotamia and was typically played on surfaces such as wood, using stones as markers, and dice made from bones, stones, wood or pottery. The playing pieces are moved according to the roll of dice, and a player wins by removing all of their pieces from the board before their opponent.

Although luck is one of the determining factors in the outcome, strategy plays a more important role as players must choose from numerous options in order to out manoeuvre their opponent. Both players and bystanders wagered on the outcome.

backgammon

Gluckshaus

Gluckshaus is German for House of Fortune and was played in the late medieval period, but became very popular during the renaissance. The wooden boards were often elaborately carved and painted. Each square of the board contained a scene, and the rest of the board surrounding the squares was heavily illuminated. The board is divided in squares numbered from 2 to 12 (with 4 often left out), arranged in the form of rooms in a house. Each player rolls two dice.

  • On a roll of 3, 5, 6, 8, 9, 10 or 11, the player places a coin on the board in the corresponding room, if it is empty, or takes the coin if it is occupied.
  • If the player rolls snake eyes, he has rolled a ‘Lucky Pig’ and collects all the coins on the board (from all the rooms) except for whatever lies in room seven.
  • If the player rolls a 12, he is ‘king’ and wins all the coins on the board, from all the rooms.
  • If the player rolls a 7, a ‘wedding’ takes place and a coin must be placed in room 7 as a dowry. This builds up a jackpot until a 12 is rolled.

The game ends when one player has won all the coins

glueckshaus

Gambling or dicing in the medieval period was extremely popular and attracted players from all levels of society. Large sums of money changed hands, as did livestock and property. Those discovered cheating often ended up locked into a pillory, their weighed (or loaded) dice forced up their nostrils or imbedded into the palms of their hands. The same treatment was often dealt to the unfortunate player who was unable to settle his losses.

Just imagine a line of pillory posts located along the front of a modern day casino. I wonder if that would be sufficient to dissuade a gambling addiction.

Catherine A Wilson

Does My Bum Look Big In This?

By Cathy T

 The after-Christmas clean-up has set in and with it came a whole host of jobs I really had no intention of doing just yet. One of them was setting my wardrobe to rights and it had me thinking that a blog on medieval clothing might be a good way to kick start the year. After all, nothing like cleaning out the old and bringing in the new (especially clothes – ask any woman!)

Since we’ve been raised in an era where any dress length on a woman is permissible, eg. ranging from a maxi to mini and every stage in between, it might surprise the younger generation to learn that hems only began to rise in the early 1900’s and even then, only slightly. They went from the ground to around the ankle then mid-calf to knee-length around the 1930’s and mini’s didn’t come in until the late 60’s. Since AD that’s nearly 2,000 years of women always wearing long dresses!

220px-Clothes

 

At the turn of the century 1,000 AD clothing styles altered only slightly from their predecessors, the long Saxon/Norman robes with wide, decorative borders around the neckline favoured for men and long gowns with either side openings or laced at the back for women, similarly decorated. Cloaks were added for extra warmth and by the late 1200’s, early 1300’s the men’s hood appeared with a liripipe (a long tail) and the styles began to show a little more flair. Fancy shaping (called dagging) appeared around the short caped hood and on sleeves.

 2c

The women had flowing gowns, sometimes more specifically referred to as kirtles or bliauts, and perhaps worn with a surcoat (surcotte) – an over-gown with the sides cut away from the shoulder to the hem. The sleeves of the dress were either very wide, almost reaching the floor, (maybe dagged) or tight against the arm, snug-fitting, with a row of buttons on the outside.

 costumes 1327 to 1377

Almost everyone wore headwear, be it either a hood, hat or veil and by the 1400’s the women’s headdresses became larger, longer and pointier!

 

fashion line

About this time fashion dictated a plucked hairline but then the Renaissance gave birth to more new trends, padded rolls, and eventually higher bust lines, the Tudor era of England preferring large, frilled collars.

 

            tudorlady   782a4ba647a35d3ebb33da3ba98516a2

                   The Tudor Era

1512_veneto  untitled(3)

Italian Renaissance

Lucrezia-Borgia-lucrezia-borgia-22231102-460-733   06_20_braguette

Codpiece – see below

 

By the late 1700’s (the era of King Louis XVI and his wife, Marie Antoinette) fashion was not only about the clothes but ones ‘manner’ – how you spoke and acted in the company of ‘polite’ society (vulgarity at an all time high!) It was a complete style or way of life as seen by the outrageous makeup, high-piled wigs not to mention the vibrant colours and the satins and lace. I am, of course, referring to the era prior to the French Revolution which gave birth to ‘foppery’ or fops, where mimicking the manner of fools became all the rage.

untitled       fops-3-e1317626467852

After the French revolution, sobriety was re-installed into nations gone mad by overindulgences and it saw the emergence of ‘Dandyism.’ Hence, the terms used of ‘fops and dandies.’ For awhile they actually became rival groups of fashion! (See the movie ‘Beau Brummell,’ who introduced the modern-day ‘trousers’ to male attire, forever ridding society of the three-quarter satin pants trimmed with lace and ribbons.)

beau-brummell-jamespurefoy  beau_brummell   untitled(2)

 

But I digress. The era with which we are most concerned is the middle to late 1300’s in the time of England’s King Edward III.

So, when our illustrious heroes and heroines jumped out of bed in the morning, what apparel did they don?

Our alpha males attire did not include a set of ‘crotched trousers’ but rather a pair of braies (linen underpants) over which a pair of woollen/silk leggings were pulled. These ‘legs’ were called chausses or hose, (later to be joined at the crotch and covered with a codpiece – see illustration above.)  They were attached to the braies by sets of strings.

Braies 1        dk brown chausses

 

Sometimes these chausses could be gamboised – meaning quilted, for extra strength and durability.

chausse3

Gamboised

chausse4

Plain

 

chauses_group

 The stockings were kept in place by the use of a garter.

  white shirt rust brown chausses        blue coathardie  blue coathardie 1

Add a shirt  …   and a coathardie

    burgund doublet green hose  brown tunic red hose            Tan doublet brown chausses dagged hood

     or a doublet or tunic  …       and maybe a hood

 And you have a basic outfit for a 14thC male. Of course there were options, a long robe instead of the shorter doublet or a padded or ‘court’ doublet or jupon as used with armour.

PolishCos3            06_01_Frankreich14JH                            9fda0927b5e91601483980b95f3302aa

 

For the women, there seems to be no hard and fast evidence that they wore ‘knickers’ or a female equivalence to the braies during the 14th century. Such evidence is not present in illustrations and illuminations of the time so we must assume that in mid 1300’s the first garment donned in the morning by women was their chemise. There is evidence, however, that breast-binding was used as described in ‘The Romance of the Rose’ poem (discussed in a previous blog) whereupon it states –

And if her breasts are too full, let her take a kerchief or scarf and wrap it round her ribs to bind her bosom, and then fasten it with a stitch or knot; she will then be able to disport herself.

Similarly, it was probably used to support the breasts during breast-feeding and weaning (if you didn’t have a wetnurse for the task).

From ‘The Gilded Crown’ –

‘Gillet is not with me. I was on my way to meet him when we stopped in this village.’ The girl’s gaze had fallen again to Cécile’s breasts and feeling uncomfortable with the scrutiny, Cécile squeezed out the linen binding and wound it around herself.

‘Here, let me assist you.’ Adèle took up the wadding, her hand gently cupping Cécile’s breast to properly secure the end of the wrap. ‘You must miss him too. Even in summer, a bed is cold at night when one is alone.’

So, for our ladies of Lions and Lilies their ensemble would begin with a chemise, a long linen undergarment. (Best picture I could find comes from the ‘Medieval Fight Club’ website)

chemise_heavy_cotton_4__36810_zoom

And over the chemise, they wore a gown and maybe a surcoat.

93605713de1a2e7768194f013aaf31a6    504f4b220c580dfd2af9a4cdba35d632  3a

 

The last picture shows the headwear of veil and wimple (the cloth surrounding the chin)

From ‘The Lily and the Lion –

He collected me on the morning of our departure, waiting patiently as I buckled on my purse. He had not returned empty-handed. A small but exquisite assortment of clothing had been delivered to my room the previous evening.

            ‘Your gown fits, then?’ he questioned, eyeing my choice of the green bliaut and corded hip belt. He frowned at my hair. I had ignored the wimple and chosen to wear only the fillet and veil. Beneath it, my hair was braided for the journey, a single tress but as a mark of personal defiance I had woven it only halfway, leaving the lower section to flow freely. Not a maiden, not a wife.

‘Oui,’ I replied. ‘Remarkably well, but considering that at a certain inn you took far more liberty to observe my size than any poor tailor would ever dare, I am hardly surprised.’ With satisfaction I noted his heightened colour. His lips squashed into a thin line of disapproval as he snatched up my pannier.

 

Court wear meant a higher quality material such as velvet, damask, and musterdevillers, accompanied by a variety of headpieces.

princess-isabelle     14th-century-women

From ‘The Order of the Lily’ –

The newly-appointed maid, Minette, watched in breathless wonder as her mistress flung open the lids on the coffers with a cry of joy. The items were held up, one by one, then quickly discarded in favour of the next. Before long Cécile’s bed was overflowing with costly fabrics and embroideries, stockings, garters, belts and veils of pearl shot with silver and gold. Gowns of soft velvets, blue, burgundy and black, lustrous silks, murrey-coloured damask, dark green musterdevillers, the woollen cloth from Normandy, cream brocades, and dark samite spilled over. Another chest brimmed with surcottes, some edged with deep chestnut squirrel pelt or cony fur, and near the bottom were sets of gloves, light cream cheveril and black calfskin leather, lined in soft miniver. Yet a third coffer revealed several chemises in delicate lawn and brightly coloured and beaded slippers, and a black travelling cloak, fully lined and edged in sable. This was a wardrobe worthy of royalty. To be allowed such abundance and extravagance showed not only the wealth the Albrets enjoyed but the power of their position in society.

medieval4%5B1%5D

329dfd1250340fa34d07c167a967cf46

Note the material wound around the upper arm and hanging. These decorations were called tippets and could be worn by both men and women.

And on the topic of shoes and boots, I’ll include in a couple of pictures here but this topic (as with headdresses) deserves more in-depth attention. The second image is to illustrate the use of pattens (a wooden clog to protect the soft-soled shoes/stockings), in bad weather. (I often use this image to demonstrate our characters of Armand, Mouse and Gabriel too. It’s so fitting!)

10303751_838874436140995_3161608664194041601_n                           Pattens

From ‘The Order of the Lily’ –

Cécile glanced out of the casement again.  The sky was gloomy, heavy with impending rain and no friendlier than when she had looked ten minutes earlier. She grabbed her pattens and sped downstairs.

   She found Gillet leaning against the mantel in the hall, scowling as he pared beneath his fingernails with his blade. His bruises had faded and, unlike hers, his skin glowed with health. His hair fell in glossy waves and when he lifted a log to put it on the fire, the muscles beneath his fresh batiste shirt rippled with renewed strength and vitality. He had taken to wearing his gamboised chausses again, the quilted padding more suited to his vigorous labour around the estate. In short, thought Cécile, his time in Chilham had served him well.

 

And now and then, some imagination!

Cecile dAlbret

 

 From ‘The Order of the Lily’ –

 Violetta nodded with conspiracy to her sister and departed, only to reappear moments later buried beneath a mass of deep crimson-burgundy velvet, so dark in the folds, it shone almost black. Cécile caught her breath. It was the most beautiful gown she had ever seen.

An hour later, the maids had bathed Cécile and liberally splashed her with rose-water. Her hair was cleverly woven, a single tress twined and pinned on each side with gilly-flowers, the remainder hanging loose to her waist in shining waves. She stood in an under-gown of golden silk as Minette and Veronique carefully lifted the velvet over her head and settled it into place.

‘Rumour has it,’ chatted Veronique, ‘that Joan of Kent herself has crafted this latest daring court fashion.’ She pulled the deeply scooped neckline to sit properly. It was edged in a band of sumptuous gold embroidery and dipped sensually between Cécile’s breasts. The hem and generous sleeves, the points of which almost touched the ground, were similarly adorned with gold thread.

Dame Rosetta fastened a gem-studded platelet belt around Cécile’s hips but frowned at the young woman’s necklace. ‘I wish I had something more suitable to give you, my dear.’

Cécile’s hand flew to her silver medal of Saint Gilles. ‘No! I … like … this … thank you, Dame Rosetta.’

            10934077_10152646312708660_5699422922391524506_n     tumblr_mndfvmVkWS1r4lsbyo1_500

From ‘The Gilded Crown’ –

The page boy stood at the entrance and frowned at the unescorted woman. He was waiting to take her name to the Master of Ceremony. Another couple jostled past to engage the lad and Cécile took a moment to calm herself. With trembling hands she brushed away imaginary specks from the midnight-blue velvet of her low-cut gown. Her throat was adorned by a string of pearls upon which one brilliant sapphire hovered tantalisingly above her breasts, her cleavage delicately enhanced by the daring scoop of the gold embroidered neckline. The fine cut of cloth clung to her bodice and hips, accentuating her svelte figure, before flaring into an abundant skirt. Such bold attire was entirely due to her own mother, Joan, Fair maid of Kent, whose latest whim set the standards throughout the English courts. And here, in Bordeaux, this new court was eager to please as it prepared itself for the imminent arrival of the heir-apparent. Cécile brushed nervously at her head, her shorter hair cleverly entwined into false pieces that were plaited on either side in ‘rams-horns’ and contained within gold cauls. The fillet was adorned with tiny sapphires and pearls across the brow, the headdress complete with a frothy veil joined under her chin. She was a picture of beauty but she had needed no reflection in polished silver to know. Gabriel’s eyes and low whistle had spoken volumes.

 

There is so much more that could be said about 14thC clothing. My only intention today was to supply a basic understanding to the fashion flavours that exist in the background of Lions and Lilies. I think I’ll leave headdresses, hats, accessories and armour for another day!

Meanwhile, if you’re a male, be thankful you don’t have to deal with ‘chausses’ and tying strings to points each day, and for women, I think they cared enough about their image to ask the age old question –  ‘does my bum look big in this?’

By Catherine T Wilson

Lions and Lilies Christmas Advent Calendar – 2014

Welcome to the Lions and Lilies Advent Calendar for 2014. We hope you enjoy exploring the favourite medieval recipes of the characters who feature in ‘The Lily and the Lion’, ‘The Order of the Lily’ and ‘The Gilded Crown.’  Please look out for our special gift on December 25th.

The ladies at Lions and Lilies would like to wish our readers a very merry Christmas and a safe and happy 2015.

 

MC from LandL

CHRISTMAS EVE

Please click on the Santa to receive a gift from the ladies at Lions and Lilies – ‘A Medieval Christmas’ eBook. The book is available for free on iTunes on Kobo. If you do not have a Kobo reader you can download the software from the Kobo link below. Unfortunately, despite our best efforts, Amazon have listed the book for 99c so we suggest you view it via Kobo or iTunes.

Cathy A and Cathy T would like to thank you for your support during 2014 and hope you and your loved ones enjoy a wonderful Christmas and New Year.

images

Kobo

images(26)

DECEMBER 24.

Gillets recipe

Book 3 – ‘The Gilded Crown’ – Chapter 17

Inside the noisy hall, Arnaud-Amanieu d’Albret gave a hearty guffaw and shook his finger at the pretty blonde attached to his arm. Beside him, Gillet d’Albret, dressed in a dark green doublet and black silk chausses, smiled affably. The woman at his side slid closer and possessively hooked her fingers around his elbow. Arnaud moved to whisper in his cousin’s ear, nodding at Gillet’s escort.
‘Her companion says she’s already under your spell. Another goblet of wine and she’ll gladly be under you. But I am thinking she’ll have to lure you first. What is wrong, cousin? You do not enjoy yourself?’
Gillet looked around the hall. ‘’Tis nothing, Arn. I think I have been away from court too long. All this jabbering hurts my ears and I prefer the scent of fresh grass in open fields.’
Arn laughed and slapped his cousin’s back lightly. ‘You have slept beneath the stars for too many nights, my friend. Come, put aside your peasant instincts and enjoy whilst you may. Ah, here is another introduction. Maybe this beauty can tempt you. Christ’s nails! Forget what I just said. I’m tempted myself!’

 

images(26)

DECEMBER 23.

Ceciles recipe

Book 3 – ‘The Gilded Crown’ – Chapter 17

The page boy stood at the entrance and frowned at the unescorted woman. He was waiting to take her name to the Master of Ceremony. Another couple jostled past to engage the lad and Cécile took a moment to calm herself. With trembling hands she brushed away imaginary specks from the midnight-blue velvet of her low-cut gown. Her throat was adorned by a string of pearls upon which one brilliant sapphire hovered tantalisingly above her breasts, her cleavage delicately enhanced by the daring scoop of the gold embroidered neckline. The fine cut of cloth clung to her bodice and hips, accentuating her svelte figure, before flaring into an abundant skirt. Such bold attire was entirely due to her own mother, Joan, Fair maid of Kent, whose latest whim set the standards throughout the English courts. And here, in Bordeaux, this new court was eager to please as it prepared itself for the imminent arrival of the heir-apparent. Cécile brushed nervously at her head, her shorter hair cleverly entwined into false pieces that were plaited on either side in ‘rams-horns’ and contained within gold cauls. The fillet was adorned with tiny sapphires and pearls across the brow, the headdress complete with a frothy veil joined under her chin. She was a picture of beauty but she had needed no reflection in polished silver to know. Gabriel’s eyes and low whistle had spoken volumes.

images(26)

DECEMBER 22.

Black Princes recipe

Book 2 – ‘The Order of the Lily’- Chapter 3

Edward kicked at the dirty hay. ‘I give you leave to sit among the fleas. You look as though you are about to expire and I am not ready to have you do that … yet.’
Gillet collapsed onto his haunches and leaned against the wall, his movements clumsy for his ankles were fettered by leg irons. He swung his manacled hands to drape loosely over his legs and, levelling his gaze, watched with surprise as Edward lowered himself against the opposite wall so they were face-to-face.
The Prince brushed back his reddish-gold crop of hair from his brow and exhaled. The amber eyes were pensive and gloomy. ‘There was a time when you and I were friends. What happened?’

images(26)

DECEMBER 21.

Jean Petits recipe

Book 2 – ‘The Order of the Lily’ – Chapter 22

Cécile nodded and Minette left for the washroom. Jean Petit, content for once, gurgled from the bed as his mother tenderly stroked his naked form. ‘You are so perfect,’ she whispered adoringly. Cupping his downy head and tiny buttocks, she lifted him to her shoulder and her senses filled with his wonderful aroma. ‘How can I deny anyone such a miracle?’ Tears welled in her eyes and flowed down her cheeks unchecked. ‘Forgive me, my love, for what I must do.’

images(26)AA - Menu 6

images(26)

DECEMBER 20.

BLack Agnes

Book 3 – ‘The Gilded Crown’ – Chapter 10

Lady Dunbar was waiting in the solar when Catherine appeared over an hour later. ‘How did you sleep?’ the older woman asked.
‘Well, I believe. ’Tis quite an indulgence to rest upon an over-stuffed mattress,’ Catherine reflected. ‘It has taken some time for me to become accustomed to such softness. The bedding at Denny Abbey was not quite so forgiving.’
‘I have nay the opportunity to know Lady Pembroke. I am told she is most … revered.’
‘She expects a great deal from the novices and even more from those who have taken their vows.’ Catherine accepted Lady Dunbar’s hand and took the seat beside her, close by the fire. She had taken extra care with her appearance this morning and allowed English Mary to fuss over her hair. Catherine had been feeling the loss of female companionship and now that she had been provided the pleasure of Lady Dunbar’s company, she was determined to prove her worth. ‘I wish to thank you for your offer to assist me during my visit to Edinburgh. Your advice will be most gratefully received.’
‘I believe we will both enjoy the experience.’ Agnes smiled. ‘It does my heart good to spend time wit’ the young. Now, I am told your husband has just ridden oot wit his brother?’
‘He often leaves me to sleep on,’ Catherine grimaced. ‘He believes I am in need of additional rest!’
‘And that bothers you?’
‘A little, for I am not ill. In fact, I feel very well indeed.’
‘Men are strange creatures. They think nothing of our safety when they take up arms in the name of their king, leaving us to defend their castles, yet when we undertake the duty we were born to, that of motherhood, we are suddenly seen as frail and delicate.’
‘Perhaps their future sons are worth more to them than mere property?’
‘Not to all, Catherine.’ Lady Dunbar smiled, her eyes glinting with mischief. ‘I have known men, and some women, who would sacrifice their entire family to protect their inherited rights.’

 

images(26)

DECEMBER 19.

Beatrix Swan

Book 3 – ‘The Gilded Crown’ – Chapter 6

‘Your son requires a strong hand.’ Simon’s eyebrows rose as he watched his nephew’s departure. ‘How old is he now?’

‘Nay sufficient for what you suggest. I want him home, here, wit’ me,’ Beatrix retorted angrily.

‘A boy does not become a man by clinging to his mother’s skirts.’

‘Walter will decide Robert’s future.’

‘Your husband holds out for a position above your son’s worth,’ Simon replied. ‘Robert should be in service. It would certainly help curb the viper that is his tongue!’

‘I dinna care what you think. He is the Bruce’s grandson! He’ll no be someone’s lowly page. We’ll wait ’til he’s offered a place to squire for a knight of the highest standing.’

‘And in the meantime, he becomes a bored, little swine who bullies his siblings and menaces his mother.’

Beatrix sat down at the table, filled an empty goblet and drank the entire contents. ‘That’s no concern o’ yours, dear brother.’

‘I am simply offering advice, dear sister,’ Simon replied sarcastically. ‘The solution to a problem is often clearer to those who are some distance away.’

‘Perhaps you should take care o’er the hens in your own coop than roost o’er mine!’ Beatrix smirked at Catherine as she re-filled her goblet. ‘Eh, sister dear?’

images(26)

DECEMBER 18.

English Mary's Pottage

Book 3 – ‘The Gilded Crown’ – Chapter 4

‘I’m English Mary. They call me that ’cause I’m English, ya see. Married a Scot, I did. Poor buggar! Didn’t know what hit ’im,’ she rambled. ‘As you can see I like me pottage and he, well, he was just a wee twig of a thing. Nearly crushed ’im, I did! But he enjoyed his bath.’

Catherine squeezed her lids closed as Mary scratched at her scalp, strong fingertips dislodging the weeks of grime accumulated on her travels from France and England.

‘You’ve got beautiful hair, but it’s all dry and knotted. I’ll fix it for ya,’ Mary prattled on. ‘I’ll rub some rosehip oil into the ends and comb it through.’

images(26)

DECEMBER 17.

Walters Red Wine

Book 3 – ‘The Gilded Crown’ – Chapter 14

The following morning Simon discovered Walter at the door of the passage leading to the servant’s building, his doublet open and his chausses untied.

‘Wexford,’ Walter sneered in greeting.

‘Finished fornicating?’ Simon asked sarcastically.

‘For now, though I may return later as one young maid is a juicy as a lemon and just as bitter and I do so appreciate a struggle.’

Simon wrinkled his nose in disgust.

‘Don’t look at me like that! You’ve had your share of women and I have to wet my cock somewhere. Your sister won’t even …’

‘Shut your filthy mouth.’

‘The high and mighty Simon, the second son made good. Go ahead and defend your sister’s honour. No one else will. She is a drunken hag who gives me naught but screeching bairns, most of whom should have been drowned at birth.’

Simon slammed his fist into Walter’s chin, sending the small man tumbling into several empty wine barrels, splintering one through the middle.

Menu 5

images(26)

DECEMBER 16.

Armands recipe

Book 3 – ‘The Gilded Crown’ – Chapter 13

Fearful of the whole town centre catching alight, guards began scooping water from nearby barrels and throwing it haphazardly over the burning villagers. Taking advantage of the disarray, Armand threw his own bucketfuls onto the bonfire, enough to staunch the flames and raise a smoke cloud which allowed him to climb up unnoticed. He raised his dagger to slit the ropes when his arms were suddenly slammed by a spade and two guards nabbed him. It was over before he could sing out.
Dragged over the stones, Armand d’Albret was an offering to the disgruntled mob and they kicked, clawed, and spat. He landed heavily at the foot of the dais, sprawling next to Reynaud, similarly caught, bruised and torn. Both men found their hands and neck snapped into a stock.

 

images(26)

DECEMBER 15.

DECEMBER 15.
Tiphanies recipe

Book 3 – ‘The Gilded Crown’ – Chapter 12

‘Good! Then it is settled!’ Lady Dunbar clapped her hands together. ‘For the duration of your visit, Lady Wexford, I shall loan you Tiphanie as a companion. You two are almost the same age and I believe,’ Lady Dunbar turned to Tiphanie, ‘the Lady Catherine has a sister in France. You will have much to discuss. Run along, dear, and pack your belongings.’
The girl inclined her head and ran off, her face jubilant.
‘She is very striking,’ commented Catherine.
‘Her colouring is that of Douglas clan. They are known for their glossy, red locks and startling green eyes.’

images(26)

DECEMBER 14.

Minettes recipe

Book 2 – ‘The Order of the Lily’ – Chapter 12

Cécile stood in her room a short time later and distractedly straightened the folds of a deep green gown of musterdevillers as Minette tussled with the laces.
‘He is staying.’
‘Milady?’ Her maid held out the dark, wine coloured surcotte and Cécile wriggled into it, settling the lozenge pattern symmetrically over her stomach.
‘Griffith has chosen to stay on as milord’s squire.’
Minette brushed a non-existent speck from the expensive Normandy wool, her cheeks colouring to a rosy glow.
Cécile reached out and cradled Minette’s chin in her palm. ‘He will be in need of a friend,’ she added softly.
Minette’s eyelashes fluttered and she lowered her gaze. ‘Yes, milady.’
‘And since you deign to speak with him, there are times when I would have you honour me the same way.’
Her face lit with a shy smile. ‘Yes, milady.’

 

images(26)

DECEMBER 13.

Griffiths recipe

Book 3 – ‘The Gilded Crown’ – Chapter 13

 As though they had been heard, a buxom wench fetched Griffith’s empty tankard and slid onto his lap with feline grace. Her fingers worked to smooth his tangled crop. ‘Big, strong man like you needs plenty of refreshment.’ Griffith’s cheeks glowed saffron as he was afforded a generous view of her cleavage. ‘There’s more where that came from,’ the girl whispered, kissing his temple. ‘Let me know what you decide, honey.’ She left with a chuckle.

 

AA - Menu 4

images(26)

DECEMBER 12.

Anais' Guts

Book 1 – ‘The Lily and the Lion’ – Chapter 6

‘Gillet will soon be returning?’ I asked, watching her face intently.

‘I suppose so,’ she replied without looking up from her mug of mead.

‘Did he not tell you when?’

‘Not really. He speaks more to you than to me.’

‘But I thought as you are close he would tell you more.’

‘You assume incorrectly.’ Anaïs stared long and hard at me then drained her goblet. ‘Some say Gillet is very handsome. Some say he sits fine on a horse. I say he sits better on a woman, but like all men he often needs encouragement.’ Her sneer was unmistakable. She knew that I knew! And I was mortified!

‘My dear, devoted Sister Mary Catherine,’ she continued, ‘so innocent and so naïve. You think us all free from sin and accept all that you have is honestly obtained. You will learn and you will do so quickly. When you want something from a man you must pay a price.’

‘I am sure I do not know your meaning.’ I fought against the feeling of dread slowly seeping through my chest and fumbled for my concealed rosary as Anaïs sauntered from the room.

Holly small

DECEMBER 11.

Rob's Suace for a Goose

Book 3 – ‘The Gilded Crown’ – Chapter 24

Simon swung his weapon towards Robiérre, the blade striking the top of a high-backed chair that the Frenchman ducked behind. Simon kicked out at the leg, toppling the seat, but Robiérre was nimble and recovered quickly. He drew a dagger and snatched the baby from the cradle by the fire, pressing the tip of the weapon into the little boy’s cheek.

‘One more step and I will drive this right through his skull.’

Simon stood motionless, his weapon raised. ‘Only a coward uses a child as a shield.’

‘You think you can dissuade my actions with insults, Wexford,’ Robiérre laughed. ‘It is Lord Wexford, is it not?’

Simon nodded. A small bead of sweat ran from his brow down his cheek. He had made a very stupid mistake.

Holly small

DECEMBER 10.

Moleyn's Vinegar Soup

Book 1 – ‘The Lily and the Lion’ – Chapter 20

He stood at the doorway, his dagger’s point thrust to the throat of Matilda, his other hand reefing her hair.
‘Greetings, John.’ Simon’s condescension was clear as he surreptitiously stepped in front of me.
‘Move away from her, Wexford.’ Moleyns sneered at me, a nervous tic causing the scar on his face to jump erratically.
I was still kneeling, my hands in the straw where I had been about to pick up the last fallen item.
‘Give me the girl and I’ll give you Matilda.’
I could see his weapon digging into her neck and although there was no blood, her skin was pinched and tight. Anaïs wriggled to her feet, her eyes alight with glee as though desperate to assist our foe.
‘I should reconsider if I were you, John. Looks to me like you’re alone.’
‘Ah, that’s where you’re mistaken. My men are right outside the stable.’ Moleyns’ eyes flicked left then right as he stepped further through the door. ‘Hand over the girl, Wexford, and I will be on my way.’
‘No!’ shrieked Lady Matilda, desperately wriggling within Moleyns’ grasp.
‘I will not hand over Lady Holland,’ Simon declared, taking the final pace between Moleyns and me.
‘Pity,’ said Moleyns. ‘I was under the impression that she would enjoy a reunion with her sister.’

images(26)

DECEMBER 9.

Salisbury's Honey Dip

Book 1 – ‘The Lily and the Lion’ – Chapter 23

‘And bring me a flagon of your best wine,’ bawled Salisbury. ‘You, set a guard around this inn, and you, lock these two in here.’
Anaïs broke free of Roderick and snared Salisbury’s arm. ‘You promised me,’ she hissed. ‘You promised me Gillet.’
Salisbury sneered and brushed her off as though she were a bothersome insect. ‘So I did. But it is out of my hands now. You should have brought them directly to me as agreed.’ At his nod, the guards shoved Roderick into the first room.
‘No, don’t! I can help you, I swear,’ begged Anaïs as she struggled against the soldier’s hold.
Salisbury grinned. ‘Throw her in with the traitors.

Menu 3

images(26)

DECEMBER 8.

Rosettas recipe

Book 1 – ‘The Lily and the Lion’ – Chapter 11

That left me ensconced in Madame Duvall’s company. Huffing impatience, I flung my loathed needlework lesson onto the chair and walked to the window of the inn’s salon. She would do better trying to teach a snake to fly! I stared morosely at the bleak mist beyond as my chaperon continued to work her tapestry. The silence hung between us more ominous than the thunderclouds outside.
‘’Twill do you no good to brood,’ she eventually commented. ‘They will return when they return and not a moment before. No doubt bearing more gifts to pamper your every whim.’
She was referring to the new set of vair tippets that graced the sleeves of my pink bliaut, and the beaded, cordon leather belt.
‘They spoil you needlessly, those two. Now, were you my ward, I would not put up with such nonsense. Nothing wrong with good homespun.’

 

images(26)

DECEMBER 7.

Violettas recipe

Book 1 – ‘The Lily and the Lion’ – Chapter 17

She gaped as if he had just stated that the Pope had taken a wife. ‘Of course, my boy. Can you think of a better way for your cousin to spend her time with us?’
I buried my hands in my lap and frowned at Armand as Violetta sighed wistfully. ‘I was once presented to the Duchesse de Valois, during the reign of our dear King Philippe. I will show you how to curtsey before royalty, my dear, with such elegance that you will catch the eye of everyone at court. I know. I did it!’ Her eyes took on a faraway glaze as Madame Rosetta placed four cups of perry on the table.
‘She did,’ declared the more robust sister, earnestly nodding her corroboration, ‘and would be delighted to teach you, child, if you so wish.’
‘Thank you,’ I replied. ‘But I have no need to know. Court is the last place I desire to be.’
Violetta’s head flew up, startled like a tiny bird who had just landed in the wrong nest. ‘No wish to go to court? Oh, non, non, non. That will never do! You must attend, for where else will you meet a handsome young man to wed? Oh, non, non, non. We shall make you such a lady that knights will be drawing swords for the honour of your company.’

images(26)

DECEMBER 6.

Mouses recipe

Book 1 – ‘The Lily and the Lion’ – Chapter 15

‘Put him on a field with twenty other knights,’ guffawed Gabriel, ‘and he is a hungry lion. But show him a tiny grey creature and the man wobbles like jelly.’
‘I’ll show Cécile who wobbles!’ Mouse grabbed Gabriel’s hand and, holding it fast upon the board, spread the fingers. A look of absolute horror swept his companion’s face, both of them yelling at once. ‘Quick,’ bawled Mouse, ‘give me a blade.’ Gillet slid his dagger across the table and Mouse was temporarily distracted as he studied the bejewelled haft. ‘A fine piece you have there, Bellegarde.’
‘Yes, I know.’
Armand jumped up and bodily braced the still protesting Gabriel, holding his wrist firm.
‘Watch this,’ whispered Gillet.
Interested spectators had begun to gather, encouraging both men. Mouse clamped his great paw onto Gabriel’s wrist and began striking downward with the dagger, stabbing the table between each of the exposed fingers, slowly at first, then steadily gaining speed. Gabriel was screaming now, the excited horde joining his yells, raising their voices higher as Mouse moved faster and faster, until I could not distinguish the blade from the haft. As the caterwauling reached a crescendo, Mouse tossed the weapon into the air, and caught it with his teeth. The mob went wild, Gillet, Armand and I amongst them. Poor Gabriel collapsed onto the table.

 

images(26)

DECEMBER 5

Gabriel's Hypocras recipe

Book 3 – ‘The Gilded Crown’ – Chapter 15

A shaft of sunlight beamed into the widening aperture as someone drew back the cellar trapdoor. Gabriel de Beaumont de l’Ouis blinked several times, the light piercing his eyes and setting his brain to banging around his skull again. The bump under his hair had risen to egg-size.
‘Get up, woman-slayer! Time to meet your maker.’ The harsh laugh ended in an abrupt fit of coughing.
Gabriel shifted from the dirt floor, the elevation spinning his head so hard, he almost toppled. He felt as though he was tumbling from his horse at a joust, unsure which way the ground lay but expecting to meet it at any moment.
‘I said get up here!’
Gabriel shuffled to the ladder which had been dropped through the hole. Even in his current state of mind, he had enough nous to know separating his tightly-bound feet and rope-cocooned arms the distance required to conquer the staves, would be a challenge.
He dragged himself up, slug-like, and emerged, dazzled as a new butterfly, into a semi-circle world of unwelcoming faces.

 

 AA - Menu 2

 images(26)

DECEMBER 4

Matilda's Mon Ame

Book 1 – ‘The Lily and the Lion’ – Chapter 20

Matilda was quickly by my side, clasping my hand as we stood watching Lady Salisbury trudge back to the house. ‘’Tis sad, is it not? I feel for Elizabeth,’ she said. ‘Just remember, Catherine, there must never be a time in your life when you should feel ashamed of the love that grows between a man and a woman. Unfortunately, any love that Salisbury felt was for his mother, and for her alone, a great sickness indeed.’

 

images(26)

DECEMBER 3

Simon's Sumptous Pork

Book 1 – ‘The Lily and the Lion’ – Chapter 16

His room was unbearably hot. Pushing open the window, Simon drank in the cool night air, but it was not enough to douse his own fire of guilt. Had he done the right thing? Deceit was a wicked man’s armour and each lie uttered only sharpened the sword.

A movement in the bushes below caught his eye and he instantly withdrew behind the curtain. His eyebrows arched as a hooded figure slipped into the stable. It was not long before a horse galloped off. The woman quickly retraced her steps, creeping behind the neatly clipped hedge. Perplexed, he watched her until she slipped out of view, presumably through the kitchen door.

Kicking off his boots, Simon threw himself across the bed and frowned, realisation dawning. Once again he had underestimated Catherine. Without doubt a courier had just been dispatched to France. Would the sisters be able to forgive him?

 

images(26)

DECEMBER 2

Roderick's Rice Tarts

Book 3 – ‘The Gilded Crown’ – Chapter 2

‘Come on then, dear sister, let me show you Simon’s little keep.’ Roderick grasped her elbow and encouraged her forward, his playfulness soothing her fears.

‘Wait! Where’s Gabby?’ Catherine exclaimed. The baby had travelled from Denny Abbey tucked in the cart, fast asleep in a basket.

‘Allow me.’ Roderick climbed up onto the running boards and gently passed the baby to Catherine. ‘He certainly is a compliant young man. My daughters all squawked like plucked chickens when removed from their cozy beds!’

‘I did not know you had children.’

‘Three,’ Roderick smiled. ‘All precious and thoroughly spoilt!’

‘Do you not miss them?’ Catherine asked.

‘Yes,’ he hesitated, ‘but not their incessant bickering. It pains my ears and destroys my appetite. Absence though, softens the effect, however I am not yet gone long enough!’

 

images(26)

DECEMBER 1

Catherine's Creamy Christmas Posset

Book 1 – ‘The Lily and the Lion’ – Chapter 6

I picked at the bread, soaking each piece within the hot fluid before placing them in my mouth.

‘Do you have rotten teeth?’ he asked.

‘I do not think so, M’lord.’

‘Then why do you soften the dough?’

Studying the remainder of the loaf beside me, I considered my answer, unaccustomed to such conversations. ‘I sat beside Sister Bridget and she ate thus.’

‘Is she old?’

‘I suppose she is, M’lord.’

‘Did you not think to ask her?’

The idea was ridiculous. ‘I am not permitted to inquire, M’lord, only to accept.’

‘Not any more, and stop calling me M’lord. I am Simon.’

‘Yes, M… yes.’

He smirked as I stumbled over his name. ‘So there is nothing wrong with you beside the fact that you weigh less than a sparrow.’

‘I do not know. I mean, I do not think so.’

He was watching me intently. ‘How old are you?’

‘Lady d’Armagnac, my sister, tells me that we are nineteen summers.’

‘I don’t suppose you ever thought to ask Mary St Pol yourself? No?’ I shook my head. ‘Why not?’

‘I was not permitted to speak unless spoken to.’

He huffed, as though he did not approve. ‘Smile.’ I stared at him, unable to decide exactly what he meant. ‘I want you to smile at me,’ he clarified. I raised the corners of my mouth.        ‘Good Lord, that wasn’t much of an effort.’ I tried again, this time revealing my teeth. ‘They look fine to me, so, no excuses. From now on you will eat like a young woman and not an old crone.’

I nodded as he passed me the crusty end of the loaf. The taste was exceptional. ‘Why do you blaspheme?’ I inquired cautiously.

‘That is your first question to me? Why do I blaspheme?’ He burst into laughter, slapping his hand to his thigh. ‘God knows, my dear. God knows!’

Menu 1

 

?????????????????????????????????????????????????????????????????